blakegopnik:

Daily Pic: This is one image from a 2012 series made by the conceptual artist Sherrie Levine that involves near-perfect duplicates of photos taken by the great German photographer August Sander in the 1920s and 30s, from his “People of the 20th Century” project. Both Levine’s versions and Sander’s are now on view at Paula Cooper Gallery in New York. Levine’s best works all duplicate (or, more correctly, appropriate) works by other artists, which makes her the most derivative creator ever – and by that token, one of the most innovative. The visual impact of source and copy may be similar, but their social and intellectual impact are utterly different. Proof of that lies in the …
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blakegopnik:

Daily Pic: This is one image from a 2012 series made by the conceptual artist Sherrie Levine that involves near-perfect duplicates of photos taken by the great German photographer August Sander in the 1920s and 30s, from his “People of the 20th Century” project. Both Levine’s versions and Sander’s are now on view at Paula Cooper Gallery in New York. Levine’s best works all duplicate (or, more correctly, appropriate) works by other artists, which makes her the most derivative creator ever – and by that token, one of the most innovative. The visual impact of source and copy may be similar, but their social and intellectual impact are utterly different. Proof of that lies in the …

Read More

From NPR’s Daily Picture Show blog, a thought-provoking piece by Coburn Dukehart, “What it Feels Like To Be Photographed In A Moment Of Grief.”

WET PLATE PHOTOGRAPHY EQUIPMENT LIST (William Henry Jackson’s typical supplies)
stereoscopic camera with one or more pairs of lenses
5x8 camera box plus lens
11x14 camera box plus lenses
dark tent (portable darkroom)
2 tripods
10 pounds collodion
38 ounces silver nitrate
2 quarts alcohol
10 pounds iron sulfate (developer)
1 1/2 pounds potassium cyanide (fixer)
6 ounces nitric acid
1 quart varnish
package of filters
3 yards Canton flannel
1 box Rottenstone (cleaner for glass plates)
3 negative boxes
light-proof silver nitrate dipping tank (for sensitizing the collodion plates)
developing and fixing trays
dozen and a half bottles of various sizes
scales and weights
glass for negatives, 400 pieces
click for high-res

WET PLATE PHOTOGRAPHY EQUIPMENT LIST (William Henry Jackson’s typical supplies)

  • stereoscopic camera with one or more pairs of lenses
  • 5x8 camera box plus lens
  • 11x14 camera box plus lenses
  • dark tent (portable darkroom)
  • 2 tripods
  • 10 pounds collodion
  • 38 ounces silver nitrate
  • 2 quarts alcohol
  • 10 pounds iron sulfate (developer)
  • 1 1/2 pounds potassium cyanide (fixer)
  • 6 ounces nitric acid
  • 1 quart varnish
  • package of filters
  • 3 yards Canton flannel
  • 1 box Rottenstone (cleaner for glass plates)
  • 3 negative boxes
  • light-proof silver nitrate dipping tank (for sensitizing the collodion plates)
  • developing and fixing trays
  • dozen and a half bottles of various sizes
  • scales and weights
  • glass for negatives, 400 pieces

click for high-res

Flux Machine, Twisted Historical Animated GIFs by Kevin J. Weir

laughingsquid:

decoy howitzer

Flux Machine, Twisted Historical Animated GIFs by Kevin J. Weir

DO YOU KNOW HOW LONG IT TOOK ME TO FIND THE ORIGINAL PHOTOGRAPH IN THE LIBRARY OF CONGRESS COLLECTION?

Way. Too. Long.

French “42 cm. gun (LOC)
Bain News Service,  publisher
French “42 cm. gun
[between ca. 1910 and ca. 1915]
1 negative : glass ; 5 x 7 in. or smaller.

fluxmachine post

Original photograph in Library of Congress collection

This photograph in Library of Congress Flickr collection

Article in Wired Magazine

Call for Submissions ⇒

Call for Submissions - Occupy Wall Street

Photographic Exhibition and Companion Website

The Occupy Wall Street encampment at Zuccotti Park spawned not only a national movement but also a rich visual record of its short but powerful presence in the city. Professional photographers who covered OWS, both downtown and around the city, are invited to submit pictures for consideration for a group exhibition, opening January 25 at the South Street Seaport Museum.

The show is part of the Museum’s reopening under the new management of the Museum of the City of New York, an institution renowned for its world-class photography collection, including the work of Berenice Abbott, Jacob Riis, Stanley Kubrick for LOOK Magazine, and many others, as well as for critically acclaimed photography exhibitions. “OWS” will be one of the inaugural exhibitions in a lively new mix of contemporary and historical material in the reinvented Seaport Museum, a vibrant new cultural and educational space in Lower Manhattan.

Deadline for entries is 9:00 am December 12, 2011.

The museum will also be staging an online exhibition that is open to all for submissions.

Professional photographers, click here for guidelines and to submit images.

All photographers, click here to submit images to the open online exhibition.